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NOTE: Expand mode should only be used for video that is already letterboxed into a 4:3 picture, as on a laserdisc, a letterbox-only DVD, or other nonanamorphic source Letting the DVD player autoletterbox anamorphic video causes a loss of resolution, which is amplified when the TV expands the picture (see Figure 317j) When DVD contains widescreen video, the different output modes of the player can be combined with different widescreen TV display modes to create a confusing array of options Figure 317 shows how the different DVD output modes look on a regular TV and on a widescreen TV Note that there is one good way to view widescreen video on a regular TV (see Figure 317e) but that a very large TV or a widescreen TV is required to do it justice Also note that there is only one good way to view widescreen video on a widescreen TV, and this is with widescreen (anamorphic) output to wide mode (see Figure 317o) Clearly, it is very easy to display the wrong picture in the wrong way In some cases, the equipment is smart enough to help out The player can send a special signal embedded in the video blanking area or via the s-video connector to the widescreen TV, but everything must be set up properly: 1 Connect the DVD player to the widescreen TV with an s-video cable 2 Set the widescreen TV to s-video in (using the remote control or the front-panel input selector) 3 Set the TV to automatic or normal mode 4 Set the DVD player to 16:9 output mode (using the on-screen setup feature with the remote control or with a switch on the back of the player) If everything is working right and the TV is equipped to recognize widescreen signaling, it will automatically switch modes to match the format of the video.

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if( ((UISwitch *) sender)on == YES) if( [((UISwitch *) sender) isOn] == YES)

To review, video comes out of a DVD-Video player in basically four ways: 1 2 3 4 Full frame (4:3 original) Pan and scan (widescreen original) Letterbox (widescreen original) Anamorphic (widescreen original)

Training algorithm: For each training example ( x , f ( x ) ) ,add the example to the list trainingaxamples Classification algorithm: Given a query instance xq to be classified, Let xl xk denote the k instances from trainingaxamples that are nearest to xq Return

You can change the switch s value programmatically using the setOn method This method s signature follows

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TABLE 81 The k-NEAREST NEIGHBOR algorithm for approximating a discrete-valued function f : 8" -+ V

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R2 is the same value as X. Thus, the outcome of a sequence of two XORs using the same value produces the original value. To see this feature of the XOR in ...

All four can be displayed on any TV, but the fourth is specifically intended for widescreen TVs This may seem straightforward, but it gets much more complicated The problem is that very few movies are in 16:9 (178) format The preceding discussions dealt with 16:9 widescreen in a general case Until 16:9 cameras become more widespread, however, there will be very little video created in 16:9 Most movies are usually 185 or wider, although European movies are often 166 DVD only supports aspect ratios of 133 (4:3) and 178 (16:9) because they are the two most common television shapes Movies that are a different shape must be made to fit, which brings us back to pegs and holes In this case, the hole is DVD s 16:9 shape (which is either shown in full on a widescreen TV or formatted to letterbox or pan and scan for a regular TV) There are essentially four ways to fit a 185 or wider movie peg into a 178 hole: 1 Letterbox to 16:9 When the movie is transferred from film, black mattes are added to box it into the 16:9 shape These mattes become a permanent part of the picture The position and thickness of the mattes depend on the shape of the original a For a 185 movie, the mattes are very small On a widescreen TV or in automatic pan and scan on a regular TV (where the player is extracting a vertical slice from the letterboxed picture), the mattes are hidden in the overscan area22 On a standard TV in automatic letterbox mode (where the player is letterboxing an already letterboxed picture), the thin permanent mattes merge imperceptibly with the thick player-generated mattes b For a 235 movie, the permanent mattes are much thicker In this case, the picture has visible mattes no matter how it is displayed.

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Sliders are a horizontal bar with a small round indicator that a user can move to the right or left to change the slider s value Figure 12-16 contains a slider example

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